Evan Hanson wrote:
> Actually, one of the toughest parts 
> about
> this problem was deciding what degrees of the chord are implied by a 
> given
> symbol. I'm a jazz musician, and we just play whatever the hell we want, 
> so I
> wasn't sure on the specifics of a few of them.

I learned classical at school, so had to unlearn a load of stuff when 
trying to play jazz.

OUT:
Cmajor => C E G

IN:
Cmajor => E B  or  B E
  (not C: that's the bass player's job)
  (not G: perfect 5th just reinforces the root)
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